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Description
six moon designs owyhee tarp Six Moon Designs Deschutes Plus Tarp13 OZ 370 G SOLO TARP USES ONE 49 POLE The Deschutes is a no frills tarp shelter, everything you need and nothing you dont, providing the ultimate freedom. No floor. No pockets. Nothing but the essentials, the Deschutes gets the job done at an affordable price. At a mere 13 ounces, this pyramid style design is incredibly stable providing 360 protection is some of the most extreme conditions. The Deschutes gives any hiker the freedom to move fast and
13 OZ – 370 G SOLO TARP – USES ONE 49” POLE
The Deschutes is a no-frills tarp shelter, everything you need and nothing you don’t, providing the ultimate freedom.
No floor. No pockets. Nothing but the essentials, the Deschutes gets the job done at an affordable price. At a mere 13 ounces, this pyramid-style design is incredibly stable providing 360° protection is some of the most extreme conditions. The Deschutes gives any hiker the freedom to move fast and light without sacrifice.
The Deschutes can be paired with the Serenity NetTent to form a fully enclosed, one-person, double-walled shelter with a bathtub floor. The Deschutes Bundle can be found here.
*Shelters including a seam sealing service may not ship immediately.
Construction
The Deschutes shelter provides 44 sq. ft. of protection and is easily set up with one trekking pole to a maximum height of 49 inches. This allows plenty of room to sit up without feeling tight.**
The tiny footprint allows you to pitch this tarp in even the most precarious spots. That means you can tuck yourself away in locations others would scoff at.
- Constructed from tough but light Silicone Nylon.
- Pyramid design is extremely effective at shedding wind from all directions
- When paired with the Serenity NetTent, it creates a double-walled, ultralight, solo tent that weighs a mere 24 ounces.
- One trekking pole setup allows you to vary the height depending on weather conditions.
- Side entry for convenience.
- 44 sq. ft. of living space with a peak height of 49 inches – a surprising amount of space-to-weight ratio.
- Easy to pitch with just one adjustable trekking pole and six stakes*.
Features
- Long Zippered Entry for easier entry and exit.
- Top Ventto reduce condensation.
- Single Pole Setupwith hexagonal shape provides maximum protection at minimum weight.
- Easy Tension Adjustment so you can keep the tent taut from the comfort of your sleeping bag.
- 360° Weather Protection
- Pairs Easily with the Serenity NetTent to keep the bugs at bay.
- Extremely Easy Setup
FAQ
-
I'm over 6'. Will I fit? The answer is: it depends. There are many factors that determine if you'll be comfortable using the Deschutes. It depends upon the height of the setup, the depth of your sleeping pad and your sleeping style. Take a look at the picture of the Deschutes Tarp with the Serenity NetTent, the Serenity is 84" or 7' long and has vertical end walls of 9". Without the Serenity, the height is 13" between ground and canopy at the point where the Serenity would end.
These days many people like using thick 2" to 4" deep sleeping mats. While they are comfortable, they will significantly compromise internal space and reduce headroom. Setting up the Deschutes low to the ground will do the same. However, when properly set up, most people will find the Deschutes has both plenty of room and weather protection. - What is the recommended Pole Height? The Deschutes Tarp can be set up at different heights. At 40" the Deschutes hugs the ground providing maximum protection. The Deschutes can accommodate a variable height of between 45" to 49" depending upon conditions and your personal preferences. For maximum interior space or when using the Serenity NetTent, set your pole to 49". In most cases, you'll want to angle your pole, so the bottom of it is inside the vestibule area. This helps to maximize the sleeping area.
Specifications
GENERAL
| Seasons Sleeps Ships With Pack Size Weight1 Stakes Colors |
3 1 Tarp, Stuff Sacks, Guy lines 12" X 4.5" 13 oz - 368 g 6 (sold separately) Gray |
DESIGN
| Type Frame Entry Coverage |
Tarp Single 49" Pole (sold separately) Side Entry 44 ft2 - 4 m2 |
MATERIALS
| Canopy Zipper |
20D Silicone Coated Nylon 3,000mm Rating #3 YKK |
Video
Deschutes Tarp OverviewBy: Six Moon DesignsPublished: 8/11/2021 |
NOTES:
1. Weight does not include stakes or pole.
*Support poles and stakes sold separately.
**Individuals over 6’ may have limited headroom depending on sleeping pad height and other factors. Review dimensions to determine whether this shelter meets your height needs.
Lost your set-up instructions? Additional instructions can be downloaded here.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.3 ★★★★★
Based on 1533 reviews
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Product Reviews
★★★★★ 5
Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!!
A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me.
I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife…
“Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip.
It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.”
I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated.
Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies.
It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”.
The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across.
The Movie:
Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc.
The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture.
The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined.
So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem.
The DVD:
First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman.
Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*.
The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay.
Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002
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